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Hunter Hunted

       Hunter Hunted (born out of Daniel Chang and Michael Garner, formerly of Lady Danville) began, officially, on December 5, 2012 and, as of now, the band has only two songs (though they definitely exemplify the saying "quality over quantity"). 
        "Keep Together" was the band's first song (debuting December 15th) and has that beautiful vocal harmony which we have come to expect from these guys and is a perfect introductory song for the 'new' band. Michael and Dan were in a group before meeting Matthew Frankel and creating LD (Mikey G and Dan from Danville) and, through everything, they have stuck together as a sort of 'dynamic duo'. The song discusses a relationship where, no matter the circumstances, they're going to "keep together"; maybe the band did not mean it in this literal sense of keeping the duo together, but that's how I like to interpret it (after all, who does not like a cute song about a long term bromance? It really only adds to the band's charm).
        "End of the World" was released as the band's second song (and first music video), fittingly, on December 21st. Aside from the fun video (a great idea, executed to perfection by R.J. Sanchez), the song is kind of really amazing. Though Lady Danville had, originally, written this song together, Dan and Michael traded out the cajon for a new fast paced drum beat with a pretty backing harmony that easily flows over those chords and mixes with those perfect vocal harmonies that chant those, always great, lyrics (and Hunter Hunted's version sounds so much better than the original). The lyrics and music are amazing and it sounds as if Hunter Hunted is more than ready to be released into pop culture. 
       We're used to these two sticking with an indie pop sound, but they seem to be (once again) creating a niche in this genre that is all their own by relying on fun techno beats, creating a sort of dance/indie pop mixture (in theory, it's weird; in reality, it's amazing). As great as Lady Danville was, Hunter Hunted has the potential to be so much better.
         If you find yourself somewhere in the LA area on February 12th, make your way to the Troubadour to check them out; these guys exude charisma on stage and I can only imagine how great their first show as Hunter Hunted is going to be.
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"Don't You Worry Child"

       I hate putting up posts on the last day of the month because they'll be hidden behind a tab by the next day (and very few bands deserve to be hidden from view). Instead, just listen to this song and, by the time February rolls around tomorrow, I'll have a few 'new' bands for you to check out. Until then, this is one of the best songs that the electronic dance music (EDM) genre has produced in years and only makes it more disheartening that the group has decided to part ways.
       If you like covers, listen to this one; DSharp does an amazing violin rendition of the hit song.
"Don't You Worry Child" Swedish House Mafia (featuring John Martin)
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"Fred Astaire"

       San Cisco finally released a music video for their song "Fred Astaire" (like fifty minutes ago..) and it's just as adorable as the song is. The song is upbeat, cute, and addictive, and this video filled with hazy lighting, exuberant dancers, and ballroom combinations works great with those lyrics and music. 
       Unfortunately, you can only see it if you have the video link so I cannot add the music video itself to this post, but all you have to do is follow the link and you can (should be able to) watch the video.
       "Fred Astaire" San Cisco
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The Maine

       The Maine (a quintet from Tempe, Arizona) was formed in 2006 by Garrett Nickelsen and Pat Kirch (bassist and drummer, respectively); John O'Callaghan (singer), Ryan Osterman, and Alex Ross joined the band after Nickelsen and Kirch held auditions, though Osterman and Ross left the band after their first EP (Stay Up, Get Down) was released, making room for Kennedy Brock and Jared Monaco to join. In 2007, the band signed to Fearless Records and released their second EP, The Way We Talk, before releasing their first full-length album, Can't Stop, Won't Stop, and an holiday EP, ...And a Happy New Year, in 2008. The band signed to Warner Bros. Records in 2009, releasing a fourth EP (In Darkness & In Light) and their second album, Black & White, in 2010 and embarking on their first headlining tour. Pioneer, the bands third album, was released in 2011 (re-released in September [2012] in the UK and Europe as Pioneer and The Good Love and featured six new tracks; in the US, you can get these tracks as Good Love- The Pioneer B-Sides), and the band is currently working on their fourth album (which will be an independent release) with Brendan Benson (solo artist and from The Raconteurs; this next album is bound to be great).
        At some point in your life, you will fall in love with The Maine; they're great (and continually getting better) so it's kind of inevitable (I fell in love with their sound a few years ago when I was paired with a roommate who may be The Maine's biggest fan). Their first album (Can't Stop, Won't Stop) was just fun and good (and still is), their second album (Black & White) contained a mixture of their early pop rock sound with a more alternative rock sound (and showed just how much the band had grown since their first album), and their third album is so stuffed full of great alternative rock songs, mature lyrics, and perfectly simple guitar riffs that it's hard not to be proud of this band that so easily made the transition from a cute boy band with good music to a group of guys who can create something as beautiful as "Take Me Dancing".
       "Give Me Anything" and "We Change, We Wait" may be from the band's first EP's, but the songs are still great and they show the talent for song-writing and composition which the band has always had.
       Can't Stop, Won't Stop may be the bands first album, but it's still full of really great songs. "I Must Be Dreaming" and "Into Your Arms" are just cute (and you have to like the line, "she had the most amazing smile, I bet you didn't expect that"), while "You Left Me" and "Girls Do What They Want" are just really great songs (and fun to dance around to).
       The bands sound changed from their first album to their second, but Black & White is no less great than their first album was; it relies more heavily on punk rock sounds and less so on the punk pop that was so prevalent on their first album. Songs like "Don't Stop Now", "Fuel to the Fire" and "Right Girl" are impossible to not sing-along to and the only thing better than those lyrics are those heavy drum beats and insistent guitar riffs that make you want to dance. "Growing Up" is nostalgic and great and "Listen to Your Heart" just makes me happy; plus, "Inside of You" is great because it was written about a girl that thought O'Callaghan was gay (there is no deeper meaning with sweet analogies; it's a song about sex with a funny back-story).
       The band took the time to mature and redefine themselves (from a punk boy band to a mature quintet) a bit before releasing their third album, Pioneer; this new sound is amazing. The band sounds like they've finally found some really great solid ground on which to build their musical careers and I can't wait to hear what they have coming on their next album. "My Heroine" and "Time" have really great rock beats (with even better lyrics), and "Some Days" and "Don't Give Up On 'Us'" do a great job of infusing their new rock sound with a little bit of that punk pop that was so prevalent on their earlier albums, making the songs just fun enough that they become completely addictive. "Thinking of You" is the most adorable song; "Whoever She Is" was cute, "Into Your Arms" makes me smile, and "Listen to Your Heart" is just good, but "Thinking of You" is a perfect mixture of 'cutesy' with a little bit of a rock beat and a punk rock guitar riff that makes it more than acceptable to hit that replay button. "While Listening to Rock & Roll" sounds like it's influenced a little more by country than by rock and shows a more mellow side to the band; a sound which is easy to hear on their newest EP, Good Love- The Pioneer B-Sides.
       Their latest EP featured songs that relied more heavily on the influences of classic rock and country chords than anything else, but the band makes this new sound work for them; and the only thing better than the new compositions are those always great lyrics the band so easily creates. "I'm Leaving" and "Hello World" have great guitar riffs (and great lyrics, as always), while "I Want You" shows a mellow side of the band (relying heavily on acoustic sounds) that we have not heard too often. "You'll Never Know" and "Take Me Dancing" may be the most amazing songs the band has ever created (I cannot emphasize enough how great "Take Me Dancing" is; it's at a level of perfection that few songs can reach). "Good Love" is an amazing song and a really great way to end their EP; my anticipation for their next album only grows stronger each time I hear those guitar riffs and drum beats join up at that 2:35 mark.
       Good lyrics and solid compositions are a staple to this bands music and I have no fucking clue how they are not yet famous; The Maine has released five EP's and three full-length albums and not one of their songs has been 'bad' (plus, the only version of "Girls Just Want to Have Fun" that I have ever liked is The Maine's). Check out the band in the links below and make sure to keep an eye out for announcements on their upcoming fourth album release.
http://wearethemaine.net/8123/
https://twitter.com/themaine
https://www.facebook.com/themaine
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"High Hopes"

       Kodaline's music video for "High Hopes" is, finally, available to watch in the U.S. As with every other Kodaline song, the lyrics and music take raw emotions and turn them into a heart-wrenchingly perfect song and the music video could not be more beautiful (lyrics like "seems to me like I'm just scared of never feeling it again, but I know it's crazy to believe in silly things", "in my dreams I meet the ghosts of all the people who have come and gone, memories they seem to show up so quick, but they leave you far too soon" and every line in that chorus, culminating in "but the world keeps spinning around" all amaze me). "The Answer" and "All My Friends" will both be featured on the bands High Hopes EP which will be released (in the UK) March 3rd. The bands first full-length album, In A Perfect World, will be released March 25th (again, only overseas).
       I've done a lot of band posts and, though all of the bands I've featured are amazing, they will not all be famous; Kodaline will be famous. Steve Garrigan (lead singer) is quoted as saying "music should have a purpose... Our purpose is honesty", and that statement explains why the band, and all of their music, is perfection.
"High Hopes" Kodaline
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"Drinkin"

       I cannot get enough of this song. If lines like "why are you screaming like I don't have ears" and "why are you leaving like we don't exist" don't make this song great for you, then the combination of the obvious emotion in Williams' voice and that 2:30 mark where the song picks back up after a pause should convince you that, as far as good country music goes, it's kind of great; it's a perfect example of why country is always a great genre.
       Williams' vocals flow over those guitar chords perfectly, the fiddle adds just enough bite to keep the song moving forward (without getting too wrapped up in its own melancholia), and the lyrics are so addictive and great that I found myself singing along by my second listen. 
       Check out Williams' song in the link below and be assured that a post for her great music (and her new album which will be released February 5th and which you can get on Amazon, iTunes, or Holly Williams' website) is already being worked out. 
    Her music video is not yet on YouTube, but you can watch it here: http://www.cmt.com/videos/holly-williams/874606/drinkin.jhtml or you can just watch a live version in the video below (either way, the song is still addictive and pretty great).
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Best Mixes

       Now that my computer is finally virus free, Google Chrome works again, and I don't have to rely on my phone or someone else's computer to get things done (nothing is worse than being computer-less for two weeks), I can finally get back to writing about really great bands and all of the new music that has come out this past month. While I work on that, you can enjoy some pretty great remixes/mashups; the weirdest combinations always make the best mixes.
"Kids vs. Like A G6" Lobsterdust
"Call Me Maybe Remix" Timeflies
"Tik Tok Together (Ke$ha vs. The Beatles)" Doctordude
"Bulletproof" Cyhi Da Prince featuring Yelawolf
"Fly" DJ Earworm
"Hey We Will Rock You Ya (Outkast vs. Queen)" DJ Prince
"Red Hot Chilipop (Red Hot Chili Peppers vs. Lil Wayne)" White Noise
"You Oughta Know" Das Racist
"I Knew You Were Trouble Remix" Eppic featuring Alex G.
"Fade Into Krewella (Krewella vs. Avicii)" Brovanni
"Top of the Pops 2011 (What the Fuck)" Mashup-Germany
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"End of the World"

       Remember when I mentioned (went on and on about) that Lady Danville was the best band in existence and that their music is the reason that I, once again, love music? No? Well, you're probably not as invested in their success (or my slight obsession) as I am. 
       I have interwoven my renewed love of music with my love of Lady Danville for so many years that it was kind of difficult to separate the two after the band initially broke up and it did become a little more difficult to write about music and get excited about new bands, initially. Shortly before I left for Germany, this video was released and I wrote a weeks worth of posts in a matter of hours; their music is inherently inspirational. Lady Danville was amazing, but Dan and Michael have created perfection, even without Matt.
       This is Hunter Hunted (Dan Chang and Michael Garner; Lady Danville, sans Matthew Frankel).
"End of the World" Hunter Hunted
 You should check out this too; it's amazing (but what else would you expect).
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"The Fighter" Remix

       "The Fighter" (Gym Class Heroes) is already a really amazing song, but, somehow, Eppic manages to make it even better.
"The Fighter"- Eppic, Saint Maurice, Kait Weston
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Tightrope EP

       WALK THE MOON may be the most adorable band I have featured. I love Sleeperstar, Lady Danville is no longer a band (so they can no longer be the most adorable), Foxy Shazam is cute in an oddball sort of way, and Walk off the Earth and Ra Ra Riot are full of amazing musicians and great lyrics, but you just can't get better than a quartet of lovable guys from the midwest who are set on making their dreams as musicians come true.
       The band released their most recent EP, Tightrope, this week; it features six songs, two of which are new (the other four songs include a cover of Talking Head's "Burning Down the House", a re-release of "Tightrope" and "Anywayican", and an acoustic version of "Tightrope").
       "Tightrope" opens with a great guitar riff and electronic/pop beat that will have you convinced that this song is great, even before Petricca chimes in with "easy now, with my heart". Though we've been hearing this song since the Anna Sun EP was released, it's still a really great song. The only thing better than "Tightrope" finally getting it's chance to be showcased on an album (out from under the shadow created by the greatness of "Anna Sun") is the inclusion of an acoustic version of "Tightrope" on this EP; it's really something amazing.
       "Anywayican" begins with only Petricca's vocals and the always cute lyrics that WALK THE MOON is so great at creating. Lyrics like "I can't frown long with your face in my head, too too long since I had a smile on my head" and "I asked you if we were gonna make it, make it all the way, you said no" make this song cute enough that it had to be re-released in order to get more attention from any new fans of the band.
       "Tete-A-Tete" just sounds like a 'classic' WALK THE MOON song; it's great. It has a swirling melody, a strong guitar riff and drum beat that make you want to dance around, and good lyrics that are just asking to be sung along to. An opening line that states "love is so irrational, the more we fight the less I know" and a chorus which claims "I want you just as bad, just as bad as I always have" make this song just as great as all of their others.
       "Drunk In the Woods" sounds a little more experimental than most of their songs, but it is no less great. The composition fits these lyrics perfectly, only becoming better as the song progresses. Though this song may sound different from the other songs WALK THE MOON has released in the past, it's a really amazing work of art and I can't stop listening to it.
       The band's version of "Burning Down the House" maintains the same upbeat and fun sound which was so central to the original by Talking Heads, but twists it from an '80's pop song to an indie pop song; somehow, the band manages to make this cover sound even more fun and 'danceable' than the original was. 
       WALK THE MOON is already working on their next full length album, but there is no set release date yet as the band is still on tour and does not plan to make it to the studio until sometime this spring.
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"Killin' It"

       Nothing makes you feel better like a heavy dose of Foxy.
       Not everyone can just jump into Foxy Shazam's music and love it right away (I didn't like their music at all until I saw them live; now, of course, I'm addicted, but I like it better this way), so try listening to some of their best songs first ("The Streets", "I Wanna Be Yours", "Yes! Yes! Yes!", "The Only Way to My Heart", "Wanna-Be Angel", and, of course, "Killin' It") or watching their live performances; they're great. Also, stop. Taking. Music. So. Seriously. This band is odd, ridiculous, adorable, and so, so much fun; just listen to their music, love them, and don't waste your time trying to critique them because you'll just sound boring.
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Blue Eyes

       It's no secret that I love Sleeperstar; they're kind of awesome. This new album may be a lot shorter than what I wanted after their two year break from recording after releasing Just Another Ghost, but it is just an EP and it's no less amazing than what I expected.
       Listening to this album took me awhile because I could not stop myself from hitting repeat after "Replay" was finished (and so on and so on with each subsequent song). The vocals start before the instrumentation (on "Replay"), making this the best song the band could have chosen to open their EP; those opening vocals should make you smile because there's something undeniably great about Pearson's voice (it's sweet and full and just the right mixture of rough and 'pretty'). Aside from the vocals, the composition is really great with the drum and the piano intermingling seamlessly and reaching it's crescendo at just the right time. As always, the lyrics in this song are great; Sleeperstar always has the most beautiful lyrics. Lines like "this pain is just a cracked star bursting inside you, it will try to divide you," "this hand that touches your skin is tearing your heart out, from this height it's a long way down," "you let go of the one thing that you held onto, but someday I will find you," and that refrain which continues to state "they never loved you, they always run away, this is not a new way, this is just a replay" just amaze me.
        "Sparks" has a great guitar riff that opens the song (and continues throughout), a solid back beat, and, as always, great lyrics. It's a stark contrast to the sound and lyrics on "Replay", but with lines like "this could be our last regret if I let you go" and "the way we lost our innocence, you said it was an accident" this song is just as great as the first one on the EP. Though this may not be a new song (the others on the EP are all new), it is a great song and it's really great that the band was able to re-release it in order to garner more attention for such a good song.
       "Call It What It Is" is the band's first released single from Blue Eyes and it's great. The spaced vocals sit in contrast to a moderate guitar riff and drum beat, creating a dreamy feel that is only reinforced by lines like "do you hear this, do you know what's going on" and "all I wanted was to feel the touch, to let me know that you were here". Plus, the only person who could sing a line like "all I wanted was the rain to fall on us while I held you in my arms, but the space between us is too far to cross, so let's be honest with ourselves" with that much unabashed emotion is Pearson and the only band that could end a song this great in such a perfect way (by allowing the instrumentation to dwindle out until we are left with just a piano) is Box, Lester, Menary, and Ross.
       "Love Again" opens with that same strong guitar presence as "Sparks", yet it is so much better (in my opinion). Pearson's vocals and that steady guitar (and those always great lyrics) make this song fantastic. Sleeperstar is one of maybe three bands that has an innate ability to make entire verses where each lyric line is just as amazing as the last; "There are those who tell you you are fine, brave enough to weather any storm of mine to the other side...you fail to see the reason for my song, standing here to say, I've been here all along waiting on you" and "all the shame, you're gonna bury me...there's a way that we can love again, be loved again, we will never live this down" are only two examples of how great each verse is, in its entirety. Plus, the band ends this song perfectly (again) by allowing the instrumentation to fade out until only Pearson's vocals remain.
       "Hold On (Milo)" is the shortest song on the EP (at only fifty-nine seconds) and, while it may not be my favorite song from this album, it makes me more excited for what is to come than any of the other songs. The other songs are completed and clearly showcase the bands talents, but "Milo" promises more great songs to come on the next album and is reminiscent of the sound bit from "Blue Eyes" which was released months before this EP was released; it's short and simple with amazing lyrics that will circle around in your head and a haunting melody that will only leave you wanting more by the time it has faded to an end.
       "Blue Eyes" heads back to that solid alternative rock sound that the band created so effortlessly on their last album and features the bridge which was released as an album preview a few months ago. It's the perfect song to wrap up the album and sounds as if the band reached their 'creative climax', or so to speak, by the time they had recorded this song. The lyrics are sweet and simple and are set against a composition that layers upon itself, expanding until it becomes as intricate as the lyrics are simple (and the repetition of "I will not run from your blue eyes, from your blue eyes I will not run" does produce a simple refrain). It may not have the most 'meaningful' lyrics on the album, but with lines like "I don't know what you've done to me, inside my heart's on fire, outside I'm cold as ice" and "we both know what you said...I know what you meant, so tell me what you want from me, and I'll be what you need," the song is easily the most likeable song on the album (and probably the most adorable).
        Once again, Sleeperstar confirms the fact that, even in a place where country reigns (Texas), an alternative rock band can still come together and create something amazing (this album is as close to perfection as any album can be). "Replay" and "Love Again" may be my favorite songs on the album, but every other song is just as great and all of them are put together beautifully. If you like Sleeperstar, buy their Blue Eyes EP so you can support them (and so that they can release their next full length album sooner, rather than later).
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Workout (2)

       I have done a 'workout playlist' before, but that earlier playlist was made more for running than for a serious workout and, whether you need to get in shape fast (because February seemed a lot further away when you checked your calendar last month) or your reasons are purely superficial, you can set this playlist to shuffle and repeat and the beat should keep you going (even when all you want is to lay down, regardless of how dirty the floor is). 
"Starstrukk" 3OH!3 and Katy Perry
"Power & Control" Marina and The Diamonds
"Titanium" David Guetta and Sia
"Don't You Worry Child" Swedish House Mafia
"You're Gonna Go Far, Kid" The Offspring
"False Pretense" The Red Jumpsuit Apparatus
"Party At a Rich Dude's House" Ke$ha
"Happening" Chiddy Bang
"Tik Tok Together" Doctordude
"Bulletproof" La Roux
"Invincible" OK Go
"La, La, La" Auburn featuring Iyaz
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"Foundations"

       Only Kate Nash could put together such blatantly true lyrics (without dressing them up and making them artful) with a simple and full composition and still create something that comes out sounding a little bit like a masterpiece. 
       The lyrics read more like a diary entry than something that was meant to be in a song (like, "you've gone and got sick on my trainers, I only got these yesterday" or "then I'll use that voice that you find annoyin', and say something like, 'intelligent input darlin' why don't you have another beer then?'"), yet they still work perfectly, and the constant and swirling piano melody is perfect for a song like this; and Nash never fails to put together the best chorus' and this song is no exception. Besides, Kate Nash is the only 'pop' artist today who would put "and dear God, I hope I'm not stuck with this one" in a relationship song.
       Plus, the music video is kind of great.
"Foundations" Kate Nash

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"Call It What It Is"

       There are only a few more days before Sleeperstar's next EP, Blue Eyes, is released (the release date was moved up from January 29th to the 22nd), but you can still listen to new Sleeperstar music a few days before you buy the album. I might be a little too excited for the earlier release date, but Sleeperstar never fails to make an amazing song and, if you have not fallen for them already, you should start doing so now, because the band is pretty great and their music is even better.
       Plus, (like nearly every other Sleeperstar song) this song only gets better each time you listen to it.
"Call It What It Is" Sleeperstar
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